出生
Born
衢州,1985
Quzhou,1985
教育
Education
2008年毕业于中国美术学院壁画系
2018,Graduated from Mural Department of China Academy of Fine Arts
荣誉
Awards
重要群展包括,“一米之内” ,BLANKgallery,中国,上海(2022);“好事自然来”,美成空间,中国, 深圳(2021)“; 礼物gifts”,妙有艺术,中国,北京(2020)等。
Important group exhibition include“, Within a Meter”, BLANKgallery, Shanghai, China (2022)“; Things Come Naturally”, Gallery MC, Shenzhen, China (2021)“; Gifts”, MOUart, Beijing, China (2020). etc.
Important personal projects include“, Brushing Shadows”, BLANKgallery“; About”, 55 Gallery, Shanghai, China(2019); Im- portant group exhibition include“, Within a Meter”, BLANKgallery, Shanghai, China (2022)“; Things Come Naturally”, Gallery MC, Shenzhen, China (2021)“; Gifts”, MOUart, Beijing, China (2020). etc.
Jiang’s creation explores the indispensable conditions in the painting language, such as light, color expansion, at the same time explores the influence of subtle changes in perception. The recent artworks focuses on the analytical structure and reorgani- zation of Willow leaves as the subject of his artwork. Though the observation of the change of the light source, and some abstract processing in the specific object, translating the fleeting moments in the individual experience. At the same time, the subject is also used as a neglected object to present the artist’s current position on painting.
Important personal projects include“, Brushing Shadows”, BLANKgallery“; About”, 55 Gallery, Shanghai, China(2019); Im- portant group exhibition include“, Within a Meter”, BLANKgallery, Shanghai, China (2022)“; Things Come Naturally”, Gallery MC, Shenzhen, China (2021)“; Gifts”, MOUart, Beijing, China (2020). etc.
Jiang’s creation explores the indispensable conditions in the painting language, such as light, color expansion, at the same time explores the influence of subtle changes in perception. The recent artworks focuses on the analytical structure and reorgani- zation of Willow leaves as the subject of his artwork. Though the observation of the change of the light source, and some abstract processing in the specific object, translating the fleeting moments in the individual experience. At the same time, the subject is also used as a neglected object to present the artist’s current position on painting.