Heterotopia - Exhibitions

异托邦 Heterotopia

展览照片 Exhibition view

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个展 Solo Exhibition

展期 Opening

2025/08/23-2025/09/25 2025/08/23-2025/09/25

介绍 PRESS RELEASE

在人工与自然的裂隙中重构时空的记忆 Reconstructing Temporal Memory in the Cleft Between Artificial and Natural

展览以福柯“异托邦”为引 —— 与现实并置却又相异的场域，兼具实存质地与想象空间。袁方洲以玻璃为语，借发泡窑烧将人工造物塑成石与混凝土的断块模样：似源于一场未发生的崩塌，几何残迹藏着人造的理性，风化肌理又模仿着自然的模糊感，在人工与自然的空隙间拉扯出奇妙张力。
Taking Foucault's 'heterotopia' as its conceptual anchor—a space that exists in juxtaposition with reality yet remains fundamentally other, simultaneously material and imaginary—the exhibition presents Yuan Fangzhou's glass-based practice. Through foaming and kiln-firing techniques, the artist transforms this quintessentially artificial medium into fragmented semblances of stone and concrete: forms that appear as relics from a collapse that never was. The geometric remnants articulate the rigorous logic of human fabrication, while their weathered surfaces mimic nature's ambiguous erosion, generating a dynamic tension within the interstitial space between the artificial and the organic.

他在可控中引玻璃自然生长，让偶然与工艺共舞，成就了“中间体”。玻璃褪去非自然的标签，借半透、反光与脆裂的特质，模糊物质边界，在虚实之间游移。这些作品如被时间淘洗的物证，是遗忘的未来遗迹，也是未竟的遗址。BLANKgallery邀请您共同来感受玻璃构建的“异托邦”，感受物质形态的矛盾与时间流逝的痕迹，进而思考真实与虚幻、存在与消逝之间的深层关系。

Within controlled parameters, he orchestrates the natural growth of glass, allowing chance and craftsmanship to coalesce into 'intermediates.' Shedding its label as the artificial, glass leverages its translucency, reflectivity, and fractility to destabilize material boundaries, hovering between the real and the imagined. These works stand as relics tempered by time—forgotten vestiges of a speculative future, or fragments of an incomplete ruin.
BLANKgallery invites you to traverse this glass-built "heterotopia", to engage with the paradoxes of material form and the traces of elapsed time, and to meditate on the profound interstices of reality and illusion, presence and oblivion.

艺术家 ARTIST

袁方洲 Yuan Fangzhou