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中
EN
中
水平对置
Horizontally Opposed
展览照片
Exhibition view
1 / 0
展期
Opening
2024.11.6-2024.12.5
2024.11.6-2024.12.5
策展
Curator
赵蕴资
Zoey Zhao
介绍
PRESS RELEASE
“水平对置”是以人的自然形式和内在机制为蓝本， 由模块单元所构成的空间或形象的内在景象。 它主要讨论在一个时间、速度、状态下的动态情景以及这个内在景象的生长经历。来自外部世界的 “信息 ” 以各种形式作用于我们的身体 ( 或者是生命机制 )， 它以物理的实体的方式或是虚拟数字的形式在身体中不断穿越，冲撞着我们的感官，将我们“切割”，同时，身体和心理机制也处在一个不断修复与重制甚至产生形变的过程中。绘画基于一种恒定的状态，通过对个体的机械化、模式化的模拟训练，并结合个体的感官体验对“信息 ”进行处理的方式，来对这一动态情景进行推演与呈现。
"Horizontally Opposed" presents an inner world shaped by modular structures that draw on the
natural form and intrinsic mechanisms of human beings. It mainly discusses dynamic situations and
the growth of this inner scene under specific temporal, velocity , and situational conditions.In this context, external stimuli interact with our life mechanisms, moving through the body as physical entities or virtual signals. These stimuli continually encounter and alter our senses, fragmenting us, while our physical and mental systems simultaneously engage in processes of repair, reconstruction, and even transformation. Through painting, this continuous state is portrayed using systematic, mechanized training to simulate and organize sensory experiences. By processing these inputs, the artwork seeks to reveal the dynamic, unfolding scen e within.
新系列作品从雅克·戈蒂埃·达戈蒂著作“解剖天使”作为原点。艺术家起初通过对于这件作品重复描摹的方
式试图对原稿及其含义象征性“占有”，在描摹的过程中一种新的体会和感受被启发，最终提炼出新的绘画重点和演绎方式。新的绘画语言承接朱湘闽一直以来对于解剖学系统性的关注和研究，与生活体验相结合，诞生出崭新的内容和充满空间感的方向。
水平对置作为创作过程中的核心概念，来自于艺术家将解剖学、水平对置发动机的动态关系，当下生活的密集信息在环境中快速传递和穿越身体的体验，以及宗教感和神性的美学形象进行对比 , 通过提取其中象征性的符号，最终这些跨学科的话题向艺术家显化出水平对置的整体性。 This new series draws inspiration from Jacques Gautier d'Agoty's The Anatomy of an Angel. Zhu
initially approached the work by repeatedly tracing the original manuscript, a symbolic act of
“possessing” its form and meaning. This process sparked fresh perspectives, leading him to
distill new focal points and interpretive techniques within the new series of work. Zhu's new visual
language builds on his systematic exploration of anatomy, now expanded by combining living
experiences, yielding content on canvas that is layered with spatial depth and expressive direction.
As the core concept in the creative process, Horizontally Opposed originates from the artist's
comparison of the anatomy, dynamic movement of horizontally opposed engines, the experience
of dense information in contemporary life rapidly passing through the body, and a religious-like
aesthetic image of divinity. By extracting symbolic elements, these interdisciplinary themes ultimately
reveal the artist's integrated concept of Horizontally Opposed.
式试图对原稿及其含义象征性“占有”，在描摹的过程中一种新的体会和感受被启发，最终提炼出新的绘画重点和演绎方式。新的绘画语言承接朱湘闽一直以来对于解剖学系统性的关注和研究，与生活体验相结合，诞生出崭新的内容和充满空间感的方向。
水平对置作为创作过程中的核心概念，来自于艺术家将解剖学、水平对置发动机的动态关系，当下生活的密集信息在环境中快速传递和穿越身体的体验，以及宗教感和神性的美学形象进行对比 , 通过提取其中象征性的符号，最终这些跨学科的话题向艺术家显化出水平对置的整体性。 This new series draws inspiration from Jacques Gautier d'Agoty's The Anatomy of an Angel. Zhu
initially approached the work by repeatedly tracing the original manuscript, a symbolic act of
“possessing” its form and meaning. This process sparked fresh perspectives, leading him to
distill new focal points and interpretive techniques within the new series of work. Zhu's new visual
language builds on his systematic exploration of anatomy, now expanded by combining living
experiences, yielding content on canvas that is layered with spatial depth and expressive direction.
As the core concept in the creative process, Horizontally Opposed originates from the artist's
comparison of the anatomy, dynamic movement of horizontally opposed engines, the experience
of dense information in contemporary life rapidly passing through the body, and a religious-like
aesthetic image of divinity. By extracting symbolic elements, these interdisciplinary themes ultimately
reveal the artist's integrated concept of Horizontally Opposed.
相较于 H.R. Giger 和汉斯·贝尔默的超现实绘画对于人体和机械关系的表达，朱湘闽的绘画不再是通过具体的某个形象传达这种关系。从画面上看十分具有一种音乐性的感受，从创作过程中也如同电子音乐的创作机制，不是具体的歌词文字传达其中的内容而是将信息 ( 声音 ) 采集，模块和频率组成的结构，最终作品侧重呈现出一种具有精神性和生命力的空间景象。展览中的小幅作品也是创作中的“模块”，这些“模块”在意识和身体极其一致的创作状态下推演出巨构式的画面，形成延续的创作逻辑。
艺术家的创作方式一直以来也与身体性有着密切相关性，新作品相比之前更加自由的工作方式，反倒是克制和理性的，更像是用身体模仿机械的训练，结合身体的感知来决定最终所呈现的感受和内容，在“模仿—复制—生长”中逐步完成。这种刻意的训练从创作方式上也呼应了朱湘闽所研究的人体与机械关系，讨论艺术家是否可以像机械一样工作并试图从中找到最接近“ 人 ”的部分。 Compared to the surrealist paintings of H.R. G iger and Hans Bellmer that explore the relationship
between the human body and machinery, Zhu Xiangmin's paintings no longer express this
relationship through specific imagery. Instead, his works convey a distinct musical quality and echo
the creation mechanisms of electronic music. Rather than relying on specific lyrics to communicate
content, the process of collecting "information" (like sound) is being amplified, eventually forming
structures built from modules and frequencies. The resulting works aim to present a spiritual and vital
spatial scene. The smaller pieces in the exhibition serve as "modules" within the creative process,
building up to larger structured works through a highly consistent state of mind and body, forming a
continuous creative logic.
The artist's creative method has always been closely related to physical presence and movement of
the body. Compared to the previous, freer approach, the new working method is more restrained
and rational, resembling a training process where the body imitates the machine. This method
combines bodily perception to determine the final feelings and content presented, gradually
completing the work through a "imitation-copying-growth" process. This deliberate training also
echoes Zhu Xiangmin's research on the relationship between the human body and the machine in
terms of creative method, exploring whether an artist can work like a machine while simultaneously
seeking the part closest to being "human".
艺术家的创作方式一直以来也与身体性有着密切相关性，新作品相比之前更加自由的工作方式，反倒是克制和理性的，更像是用身体模仿机械的训练，结合身体的感知来决定最终所呈现的感受和内容，在“模仿—复制—生长”中逐步完成。这种刻意的训练从创作方式上也呼应了朱湘闽所研究的人体与机械关系，讨论艺术家是否可以像机械一样工作并试图从中找到最接近“ 人 ”的部分。 Compared to the surrealist paintings of H.R. G iger and Hans Bellmer that explore the relationship
between the human body and machinery, Zhu Xiangmin's paintings no longer express this
relationship through specific imagery. Instead, his works convey a distinct musical quality and echo
the creation mechanisms of electronic music. Rather than relying on specific lyrics to communicate
content, the process of collecting "information" (like sound) is being amplified, eventually forming
structures built from modules and frequencies. The resulting works aim to present a spiritual and vital
spatial scene. The smaller pieces in the exhibition serve as "modules" within the creative process,
building up to larger structured works through a highly consistent state of mind and body, forming a
continuous creative logic.
The artist's creative method has always been closely related to physical presence and movement of
the body. Compared to the previous, freer approach, the new working method is more restrained
and rational, resembling a training process where the body imitates the machine. This method
combines bodily perception to determine the final feelings and content presented, gradually
completing the work through a "imitation-copying-growth" process. This deliberate training also
echoes Zhu Xiangmin's research on the relationship between the human body and the machine in
terms of creative method, exploring whether an artist can work like a machine while simultaneously
seeking the part closest to being "human".
作品展示
ARTWORK
朱湘闽
Pv23- 重制, 2023-2024
布面油彩
180 x 150 cm
Zhu Xiangmin
Pv23-Remodel, 2023-2024
Oil on canvas
180 x 150 cm
None
Pv23- 重制, 2023-2024
布面油彩
180 x 150 cm
Zhu Xiangmin
Pv23-Remodel, 2023-2024
Oil on canvas
180 x 150 cm
None
朱湘闽
Pv23- 扳机, 2024
布面油彩
150 x 100 cm
Zhu Xiangmin
Pv23-Trigger, 2024
Oil on canvas
150 x 100 cm
None
Pv23- 扳机, 2024
布面油彩
150 x 100 cm
Zhu Xiangmin
Pv23-Trigger, 2024
Oil on canvas
150 x 100 cm
None
朱湘闽
重制 -1, 2023-2024
布面油彩
250 x 200 cm
Zhu Xiangmin
Remodel-1, 2023-2024
Oil on canvas
250 x 200 cm
None
重制 -1, 2023-2024
布面油彩
250 x 200 cm
Zhu Xiangmin
Remodel-1, 2023-2024
Oil on canvas
250 x 200 cm
None
朱湘闽
重制 -2, 2024
布面油彩
250 x 200 cm
Zhu Xiangmin
Remodel-2, 2024
Oil on canvas
250 x 200 cm
None
重制 -2, 2024
布面油彩
250 x 200 cm
Zhu Xiangmin
Remodel-2, 2024
Oil on canvas
250 x 200 cm
None
朱湘闽
解剖天使, 2021-2024
布面油彩
226 x 160 cm
Zhu Xiangmin
Anatomical Angel, 2021-2024
Oil on canvas
226 x 160 cm
None
解剖天使, 2021-2024
布面油彩
226 x 160 cm
Zhu Xiangmin
Anatomical Angel, 2021-2024
Oil on canvas
226 x 160 cm
None
朱湘闽
Pv23- 无题 -3, 2023-2024
布面油彩
150 x 100 cm
Zhu Xiangmin
Pv23-Untitled-3, 2023-2024
Oil on canvas
150 x 100 cm
None
Pv23- 无题 -3, 2023-2024
布面油彩
150 x 100 cm
Zhu Xiangmin
Pv23-Untitled-3, 2023-2024
Oil on canvas
150 x 100 cm
None
朱湘闽
Pv23- 无题 -2, 2023
布面油彩
150 x 100 cm
Zhu Xiangmin
Pv23-Untitled-2, 2023
Oil on canvas
150 x 100 cm
None
Pv23- 无题 -2, 2023
布面油彩
150 x 100 cm
Zhu Xiangmin
Pv23-Untitled-2, 2023
Oil on canvas
150 x 100 cm
None
朱湘闽
橙色的天空, 2024
布面油彩
100 x 120 cm
Zhu Xiangmin
Orange Colored Sky, 2024
Oil on canvas
100 x 120 cm
None
橙色的天空, 2024
布面油彩
100 x 120 cm
Zhu Xiangmin
Orange Colored Sky, 2024
Oil on canvas
100 x 120 cm
None
朱湘闽
Pbk28- 教条 -2, 2024
布面油彩
78.5 x 67.5 cm
Zhu Xiangmin
Pbk28-Dogmas-2, 2024
Oil on canvas
78.5 x 67.5 cm
None
Pbk28- 教条 -2, 2024
布面油彩
78.5 x 67.5 cm
Zhu Xiangmin
Pbk28-Dogmas-2, 2024
Oil on canvas
78.5 x 67.5 cm
None
朱湘闽
Pbk28- 教条 -1, 2023-2024
布面油彩
150 x 60 cm
Zhu Xiangmin
Pbk28-Dogmas-1, 2023-2024
Oil on canvas
150 x 60 cm
None
Pbk28- 教条 -1, 2023-2024
布面油彩
150 x 60 cm
Zhu Xiangmin
Pbk28-Dogmas-1, 2023-2024
Oil on canvas
150 x 60 cm
None
朱湘闽
改装高速赛车, 2023-2024
布面油彩
100 x 150 cm
Zhu Xiangmin
Hot Rod, 2023-2024
Oil on canvas
100 x 150 cm
None
改装高速赛车, 2023-2024
布面油彩
100 x 150 cm
Zhu Xiangmin
Hot Rod, 2023-2024
Oil on canvas
100 x 150 cm
None
朱湘闽
Pbk28- 教条 -4, 2024
布面油彩
40 x 30 cm
Zhu Xiangmin
Pbk28-Dogmas-4, 2024
Oil on canvas
40 x 30 cm
None
Pbk28- 教条 -4, 2024
布面油彩
40 x 30 cm
Zhu Xiangmin
Pbk28-Dogmas-4, 2024
Oil on canvas
40 x 30 cm
None
朱湘闽
Pbk28- 教条 -3, 2023
布面油彩
40 x 30 cm
Zhu Xiangmin
Pbk28-Dogmas-3, 2023
Oil on canvas
40 x 30 cm
None
Pbk28- 教条 -3, 2023
布面油彩
40 x 30 cm
Zhu Xiangmin
Pbk28-Dogmas-3, 2023
Oil on canvas
40 x 30 cm
None
朱湘闽
氧化 -2, 2023
布面油彩
45 x 35 cm
Zhu Xiangmin
Oxidation-2, 2023
Oil on canvas
45 x 35 cm
None
氧化 -2, 2023
布面油彩
45 x 35 cm
Zhu Xiangmin
Oxidation-2, 2023
Oil on canvas
45 x 35 cm
None
朱湘闽
氧化 -1, 2023-2024
布面油彩
30 x 40 cm
Zhu Xiangmin
Oxidation-1, 2023-2024
Oil on canvas
30 x 40 cm
None
氧化 -1, 2023-2024
布面油彩
30 x 40 cm
Zhu Xiangmin
Oxidation-1, 2023-2024
Oil on canvas
30 x 40 cm
None
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地址 LOCATION
上海市普陀区
莫干山路50号
M50艺术园17栋102
102, Building 17,
M50 Creative Park
No.50 Moganshan Road
Putuo District, Shanghai
开放 HOURS
周一 至 周日
10:00 – 18:30
Monday to Sunday
10:00 – 18:30
联系 contact
Info@blank-gallery.com
+86 13701806860
Info@blank-gallery.com
+86 13701806860
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